
’Untitled -study for sculpture (1)' February 2013. Oiled fabriano paper (motor oil), pencil and graphite. 100cm x 100cm.

’Untitled -study for sculpture (1)’ (DETAIL) Oiled fabriano paper (motor oil), pencil and graphite.

‘Untitled- study for sculpture (3)’(Sleeper) February 2013. Oiled fabriano paper (motor oil), pencil and graphite. 100cm x 100cm.

’Untitled- study for sculpture (2)’ February 2013. Oiled fabriano paper (motor oil), pencil and graphite. 100cm x 100cm.

'Untitled' February 2013. Welded steel, string (hessian), calico and sand. 80cm x 60cm x 120cm. It correlates the language in my drawings into a physical state using weight to respond to line.

'Untitled' February 2013. Welded steel, string (hessian), calico and sand. 80cm x 60cm x 120cm. It correlates the language in my drawings into a physical state using weight to respond to line.
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





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’Untitled -study for sculpture (1)' February 2013. Oiled fabriano paper (motor oil), pencil and graphite. 100cm x 100cm.
’Untitled -study for sculpture (1)’ (DETAIL) Oiled fabriano paper (motor oil), pencil and graphite.
‘Untitled- study for sculpture (3)’(Sleeper) February 2013. Oiled fabriano paper (motor oil), pencil and graphite. 100cm x 100cm.
’Untitled- study for sculpture (2)’ February 2013. Oiled fabriano paper (motor oil), pencil and graphite. 100cm x 100cm.
'Untitled' February 2013. Welded steel, string (hessian), calico and sand. 80cm x 60cm x 120cm. It correlates the language in my drawings into a physical state using weight to respond to line.
'Untitled' February 2013. Welded steel, string (hessian), calico and sand. 80cm x 60cm x 120cm. It correlates the language in my drawings into a physical state using weight to respond to line.
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